Greek Theatre Costumes History

One way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment ... [Read More]

Costume production distinguishes early civilization from the Paleolithic era as much as architectural production. Costume transcends boundaries, as it first unites and then divides mankind. The mode of dress differentiates friend from foe and peasant from prince. Changes in the appearance and types of garments through the ages are a significant indicator of social, economic and chronological changes. This annotated bibliography of 603 references, taken from monographs, dissertations, festschrift... [Read More]

This book offers an interpretation of the handling of costume in the plays of the fifth-century comic poet Aristophanes. Drawing on both textual and material evidence from the fourth- and fifth-century Greek world, it examines three layers of costume: the bodysuit worn by the actors, the characters' clothes, and the additional layering of disguise. A chapter is also devoted to the inventive costumes of the comic chorus. Going beyond describing what costumes looked like, the book focuses instead ... [Read More]

The attire of the feudal lords and ladies of old Japan, warriors, priest, courtesans, Edo-period dandies geisha, footmen, farmers— in fact, the whole array of Kabuki's colorful characters-is discussed in fascinating detail in this Japanese Kabuki book.From kimono and armor to undergarments, from wigs to foot gear, from swords to hair garments—no aspect of costume accessories is overlooked. Textiles and textile designs, in all their profusion of weaves, colors, and patterns, are carefully taken... [Read More]

These beautiful vambraces are made from heavy grade leather and though thick, are easy and comfortable to wear all day long. Good for a large variety of outfits, from Greek and Roman to Viking and Medieval, these vambraces are great for use with your bow.

Nautical and Pirate Decor. Romans used to believe that when an important man dies his spirit needs a blood sacrifice to survive in heaven. A gladiator used to be an armed combatant. He entertained the audiences in the Roman Republic through violent confrontations against wild animals other gladiators war slaves and criminals. Some people were gladiators professionally and used to take risk of their life by appearing in the arena. Gladiator steel Helmet refers to the type of helmet that was popul... [Read More]

Maskwork is a new way of looking at the art of masks and mask-making: a unique combination of ethnography, design and practical advice.Jenny Foreman's book for teachers and practitioners of drama, art, design and technology grew out of a research bursary from the UK's National Society for Education in Art and Design. They received her report with great enthusiasm as "one of the very best projects ... likely to make a valuable and useful contribution" to both specific and cross-discipline school ... [Read More]

Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean a... [Read More]

Kabuki A Pocket Guide introduces readers to the foundations of Kabuki—its history and its actors, its acting styles and its performance, its color and music—to the sheer beauty and joy of Kabuki.Kabuki, the popular theatre of Japan, began in about 1603 and is still flourishing today. It was the entertainment of the common people as opposed to Noh, the refined theatre of the aristocracy, and is a close relative of the Bunraku puppet theater. All the actors in Kabuki, even those who play femal... [Read More]

Contemporary productions on stage and film, and the development of theater studies, have created a new audience for ancient Greek drama. This volume fills the need for a clear, concise statement of what is known about the original conditions of production for tragedy, comedy, and satyr play in the age of Pericles and provides observations on all aspects of performance. Reexamining the surviving plays of the tragic writers Aeschylus, Sophocles, and Euripides and of the comedian Aristophanes, Graham Ley discusses the actor's technique, the power and range of the chorus, the use of theatrical space, and parody in the plays.

"Hypertheatre: Contemporary Radical Adaptation of Greek Tragedy investigates the adaptation of classical drama for the contemporary stage and explores its role as an active, polemical form of theatre which addresses present-day issues. The book's premise is that by breaking drama into constituent parts, revising, reinterpreting and rewriting to create a new, culturally and politically relevant construct, the process of adaptation creates a 'hyperplay', newly repurposed for the contemporary world. This process is explored through a diverse collection of postmodern adaptations of Antigone, Medea, and The Trojan Women, analysing their adaptive strategies and the evidence of how these remakings reflect the

This excellent report, professionally converted for accurate flowing-text e-book format reproduction, addresses a question that is fundamental to the debate about the extent that airpower can function as a maneuver force in a theater campaign.The U.S. Air Force contends that airpower is a maneuver force and frequently turns to the 1991 Persian Gulf War for evidence in support of their position. Those critical of the Air Forces view argue that Operation Desert Storm was an aberration and charge that arguments based on that essentially unique event are suspect. Seeking to parry the charge of exceptionalism, Givens deliberately sets out to